How can you “walk a mile in another’s moccasins” if a reporter never offers you the opportunity to put those moccasins on? It’s easier to understand why audience members have little sympathy or empathy for Indigenous Peoples, when the nuances of racism or the history of colonialism are left unexplained. Thus, a de-contextualized Indian becomes a “problem” Indian: the incompetent manager of a child welfare agency, the homeless drunk on the city street, the needy victim of residential school sexual abuse. Without the “back story,” our audiences are hampered in their ability to interpret and make sense of news events and images, especially those who have limited access to a broad source of information about Indigenous people.
Starts off with a ship captain finding and bringing home an Eldritch Abomination that looks like a little pink horse, with the help of a bald German guy, unwittingly unleashes a great evil by doing so, and must now fix his own mistake by embarking on an epic quest that involves lots of ponies, hilarious Jump Scares, Pokémon, flying naked corpses with extendable necks, mining for boulders using the Master Sword, The Legend of Zelda-esque dungeons, engineers and sentries, zombie Fluttershy, a crazy race track, the Space Core, Daleks, and a giant suit of armor that likes to jump out and yell "Hello!" when you least expect it.
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